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Outsider Art - Self-Taught Art - Folk Art
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  • Current Exhibit


    Past Exhibits

  • Rick Borg
  • Kevin Titzer
  • Gregory Blackstock
  • Jack Savitsky
  • John Taylor 2003
  • Open House
  • Folk Fest 2003
  • Blame Canada #3: Griffin Bros.
  • Blame Canada #2: Casey McGlynn
  • Blame Canada #1: Jennifer Harrison
  • The Toy Show
  • Scattered, Smothered & Covered
  • Folk Fest 2002
  • Antjuan Oden
  • John Taylor 2002
  • Mark O'Malley
  • Shoup & Sudduth
  • Method of Annie
  • Charlie Lucas
  • John Taylor 2001
  • Yard Art
  • Jesus Says Buy More Folk Art
  • Scattered, Smothered & Covered
  • Annie Grgich
  • Zeitgeist
  • Folk Fest 2000
  • August Open House
  • Livin' In Louisiana
  • Daniel Belardinelli
  • Buddy Snipes
  • Folk Fest 99
  • Rick Borg
  • Best of the
    Northwest
  • The End Is Near!
  • Birds, Babes, & Bluesmen - Tom D.
  • Shiny Happy Paintings
  • Making Our Way
  • Carol Myers & Wally Shoup
  • Mose Tolliver: Art Objects from the 1980's
  • Profile of the Future Primitive
  • Scattered, Smothered, & Covered
  • How Do You Like Them Apples?
  • Kindred Spirits of Alabama
  • Ready Or Not, Here We Come




  • Kevin Titzer

    INTRODUCING KEVIN TITZER: STATUETTES, BUSTS & FIGURINES


    Kevin Titzer creates beautiful three-dimensional busts, statuettes and figurines using wood, metal, and other debris found near his home by the Ohio River. A native of Evansville, Indiana, the 31 year old has been making art for most of his life and has established himself in galleries in Louisville and Nashville. We are pleased to be able to show Kevin's work in the Northwest for the first time.

    We first saw Kevin's work at Folk Fest in Atlanta in 2003 and it's easy to see why Kevin has done so well - his pieces are complex and raw yet finished and sophisticated. They are also very affordable. His subjects are playful, yet some may carry a darker edge and suggest that much more lies beneath the surface.

    Kevin says "Evansville is located next to the Ohio River and I live about five blocks away from said river. On its banks is where I scavenge most of my raw materials. Mostly the wood I use is driftwood. After tumbling around in the water, the wood is usually nice and soft and easy to carve. It also strips the bark off for me.

    I started surfacing my work with tin when I lived in Terra Haute, IN. I lived there for a short time and was working with a cousin of mine who was a blacksmith. There was a surplus of reclaimed ceiling tin from old buildings in the shop. I usually try to utilize what's around me, so I began playing with the tin. I still use the ceiling tin and also old candy tins (for more color) and sometimes plastic. Usually the only materials I buy are nails, and acrylic paint (for the heads and hands) - most everything else is recycled."

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